Abstract
This review examines Arjun Bharadwaj's Indian Perspective of Truth and Beauty in Homer's Epics, a comparative literary study that applies Indian aesthetic philosophy to Homer's Iliad and Odyssey. Bharadwaj employs millennia-old Indian aesthetic theories from scholars like Ānandavardhana and Abhinavagupta to explore universal principles of truth and beauty in Western epic literature. Rather than examining Greek influence on Indian civilization—the dominant scholarly discourse—this work reverses the trajectory by using Indian frameworks such as puruṣārthas (life goals) and rasa (aesthetic emotions) to analyze Greek epics. The author's methodology includes comparative analysis of the Rāmāyaṇa, Mahābhārata, Iliad, and Odyssey, examining their spatial-temporal constructs, character ethics, and divine-human relationships. Bharadwaj also analyzes Homer's use of arthālaṅkāras (figures of sense) through Indian poetic theory. The review suggests that Bharadwaj approaches Homer not merely as a scholar but as a poet seeking to discover the eternal aesthetic essence that transcends civilizational boundaries, creating a dialogue between Vālmīki, Vyāsa, and Homer across millennia.