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Abstract

<jats:p>The article conducts a structural and comparative examination of the above-mentioned principle of constructing an artistic image as manifested in contemporary Armenian artistic literature, based on the works of the poet Eduard Harents. The study examined the author's nearly dozen poetic collections, analyzing systems of new semantic nuances in titles, the dualization of word meaning in artistic thought, the "new fate" of sound and letter, and the phonological misdirections in the investigated domain.</jats:p>

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Keywords

artistic article conducts structural comparative

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