Abstract
<jats:p>AcknowledgmentsNotes on Transliteration and TranslationIntroductionScope of the BookMecca, Medina, and JerusalemPictorial Modes and TerminologyStructure of the Book1. Pilgrimage RollsEarly Pilgrimage RollsEpigraphic Program of Prince Mehmed's Pilgrimage RollOther Ottoman Pilgrimage RollsRoll Format and MultiviewsAttesting Pilgrimage and Public DisplayConcluding Remarks2. Pilgrimage ManualsPilgrimage LiteratureThe Futūh al-HaramaynCodex Format and Paraline ViewsText-and-Image and Image-and-Image RelationshipsTeaching and Guiding PilgrimsConcluding Remarks3. Haramayn PanelsCeramic PanelsInscriptions and Perspectival ViewsPanels of Other MediaDirectional and Qibla DecorumVirtual Experiences of Prayer and PilgrimageConcluding Remarks4. Devotional BooksThe Dalāil al-khayrāt and the Enām-ı şerīfProduction and CirculationEndowments and RecitationsThe Dalāil al-khayrāt and Haramayn ImagesThe Enām-ı şerīf and Devotional ImagerySeeking ProtectionConcluding Remarks5. Paintings, Prints, and PhotographsThe Tableau général and Haramayn PrintsFrom Prints to Prints, From Prints to PaintingsEarly Haramayn PhotographsFrom Photographs to Paintings, From Paintings to PhotographsThe Fatih Mosque PaintingConcluding RemarksEpilogueAppendix: Prince Mehmed's Pilgrimage RollLists of ObjectsBibliographyIndex</jats:p>