Abstract
<jats:p>The aim of this study is to demonstrate that, in Immanuel Kant’s transcendental philosophy, repetition functions not as a secondary feature of experience, but as its structural condition. The article analyzes the three types of synthesis – apprehension, reproduction, and recognition – as distinct modes of repetition that ensure the unity of temporal experience. The study employs a method of conceptual and analytical reconstruction of Kant’s theory of synthesis, with particular attention to its temporal and operational structure. The scientific novelty of the research lies in the interpretation of Kantian syntheses as forms of structural repetition, which makes it possible to reconsider the status of identity in transcendental philosophy, and to reveal its intrinsic premises of instability.</jats:p>